#in my opinion people still have a largely one dimensional understanding of him

[deargravity]

akashi is actually not as good at everything as people like / want to believe but let me not get into that today

[mecachrome]

(sorry for rpf ment) but id like to know your opinion bc from ur tags it's clear you understand oscar pretty well. basically i keep seeing fics and things describe him as "analytical" and "focused" but personally i never get that vibe? could you maybe extrapolate a bit on where that comes from?

oh anon thank you for giving me the opportunity to do my favorite thing in the world (talk about oscar)!!

honestly i do think that "analytical" and "focused" describe him very succinctly — these are words you'll find that he and many others have described him by in real life — it's maybe just a matter of understanding what that means for him and not equating either trait to the sum of his personality. to me this is not a bad thing because i genuinely enjoy athletes who are considered analytical and boring (which i've also reclaimed as a term of endearment now. i'll gladly take a boring dude if it means he doesn't like playing golf!) so i think he fits that archetype well, it's just that he's obviously more than that and thus his personality is endearing to people because he has "unexpected" quirks that betray the occasional assumption of his one-dimensionality.

here are a few direct quotes from people around him:

BROWN: "He's very mature, he's very focused and he’s very technical." STELLA: "There is no external noise in his brain. He doesn’t dissipate or dilute his talent into things that are not useful or functional, and that was apparent to us relatively early on." STALLARD: "Everything is meaningful. I’m not sure I’ve met that many [drivers] who I would describe as calm and intense." WEBBER: "He’s a Prost, mate. He’s such a thinker and so calm. At first I thought I needed to inject a bit of urgency in him, but actually no, he’s got his own frequency. That’s just where he is."

rest below the cut because i talk too much...

i would be curious to hear more about why you don't get that vibe from him so i could elaborate more in that direction, would you say it's because he doesn't come across that way in off-track media that mclaren posts of him and lando? i'd argue that at least on-track his being analytical, focused, unflappable, and most of all ~adaptable~ (if you listen to any commentator talk about him you'll quickly hear that this is people's favorite word for him) is what made oscar thrive at the junior level when he was a rookie in both f3/f2, and what's helped him deliver the rookie campaign he's managed so far with mclaren — of course the extensive testing mileage with the a521 helped immensely with this acclimatization but that was a completely different car with different regs, and more impressive to me is not only that he managed to be decent "as a rookie" in an on-average midfield car and didn't commit egregious mistakes when the mcl60 was a backmarker tractor with constant reliability issues but also that he quickly stepped up alongside lando once the aero upgrades came along and immediately recalibrated his expectations from "maybe points if we're lucky" to "podiums whenever possible." that's a bigger mental feat than it seems and definitely speaks to his analytical nature; another example of his inherent reflectiveness is his somewhat subdued reaction to getting his first podium in suzuka because he was more concentrated on his pace deficit to lando and overall tyre-management issues than the superficial milestone of a podium. similar to tom sarcastically going "i can hear that you're excited..." after quali that weekend and oscar quipping back "that's as excited as i get for second place!"

maybe "focused" is difficult to qualify as a personality trait but i'd say it manifests largely in his calmness, especially when you consider the high-adrenaline nature of racing and the effusiveness other drivers on the grid are prone to displaying. how oscar strikes me as is that he's self-critical while still managing requisite internal belief and optimism, which stella and others have spoken highly of and credited for driving forward his rapid development curve over the course of a weekend, especially at new race tracks. maybe you're asking about "analytical" in the context of relationship dynamics in fic so feel free to correct me there (AND ALSO APOLOGIES FOR THIS UNGODLY SPIEL), but another great quote is andrea in his latest btg appearance where he says this of oscar:

 "[What impressed us is] his awareness of what the opportunities are, even before he looks at an overlay or looks at any telemetry. He kind of has this capacity to self-recognize where there is more to come from either himself or from the car, and this is not so obvious. I know drivers that can be fast, but they kind of definitely need external support as to see what is possible. [...] He has a large capability from a self-awareness point of view, and then he has this capacity to then drive according to the opportunity identified, which for me is the definition of talent."

in terms of his media personality, you'll commonly see people online say that oscar is a talkative kimi or that he's winning the idgaf war etc. and i think maybe people (not fic writers but like Guys On Reddit) tend to extrapolate a bit too much from his "mentality" and are like this is why he's going to be the next wdc and lando will become washed which is literally absurd and insane and i'm not even going to entertain that with a ten-foot pole. but i think how i'd describe oscar is that he's very intentional in disseminating his image in a highly specific "everything is a product of cringe culture" gen-z way — he knows exactly how he comes across to the camera or how people perceive his tweets online and is willing to play into the meme when he thinks it'll benefit him, for ex. how he knew the camera was on him during the jetpack guy moment and consciously made that face to incite some kind of reaction. obviously oscar isn't wholly preoccupied with making people like him and isn't going to be as loud and rambunctious as a character like dr3, but he's capable of being "silly" and making jokes because he does like being perceived as funny and will engage in low-effort banter or make his drs tweets and post a 240p reaction gif of the jetpack meme because he enjoys social media virality to some degree. like i'm sure the crb debacle was a stressful time for him but another part of him was like "oh sweet more followers" LOL... maybe because of that it feels like there's a dichotomy between his "silly" self who makes bottoming jokes in mclaren youtube videos and who giggles at everything lando says and then his more focused, technically-oriented side, but imo there is very much a positive relationship between these facets of him. i'd say that because he is generally so analytical and calm he therefore has the mental capacity to be introspective in an actionable manner and improve on his weaknesses without getting emotionally carried away, and then in social settings this also allows him to live in the moment and take things less seriously and not overreact to people's opinions of him. if that makes sense...

also for bonus maxf/renault acad lore purposes: here is the insane mia quote about them that maybe explains more of his "ruthless" focus... i feel like sometimes it sounds weird when people call him that because being ruthless is essentially associated with being cruel or lacking empathy but to me oscar's ruthlessness is entirely inward and not a marker of his EQ or social awareness, just a reflection of how effectively he self-motivates and pushes himself:

"Consistency on track is based on how stable you are off track. [...] If you look at Oscar Piastri, he has been living on his own, [away] from his family who are in Melbourne for the past five to six years. [...] That's why he thrived in those weekends racing. He loves being on his own without anybody. On the other hand, we had Max Fewtrell, for example, who can't – he couldn't survive the 11 weekends racing, because he always needed his family to be around him. So those are the things that suddenly you see and, I think that that we see now, after a few years, a driver who is quick, a driver who has the talent, and then the driver who is stable."

again SORRY for how long this answer is but hopefully it is at least mildly informative!!! T__T

[cowbilover]

unpopular opinion but i found if we were villains pretty mid.

like a lot of people called it incredibly gay but it could’ve been a lot gayer in my opinion. besides that though my biggest complaint is that the characters seem so lifeless and one dimensional. i understand they all fall into their one part and get type casted yadda yadda but regardless they all felt like shells. i didn’t feel connected to them at all really and their relationships with each other were just as shallow. it made the whole book just drag on because they didn’t feel like people. and everything felt so rushed, all the things that could’ve made them more deep were just brushed by. there was also a huge lack of moments where we just got to see the characters interact with each other. we got it in the beginning but i felt it was quickly lost.

i’ve seen a lot of people complain it to the secret history (which i enjoyed much more) but they’re on completely different levels. tsh had the character depth and all these moments, small and large, where the characters were able to interact and because of that the dynamics between them were so much more better established. each character sticks out, while in if we were villains i found them mostly forgettable. as well continuing with the comparison between tsh and if we were villains, richard also fell flat. he didn’t work as well as bunny did (which maybe wasn’t the point and he wasn’t supposed to). but richard was just too awful and it was hard to see why other characters liked him. oliver told us that he was both loved and hated at once but we never see that at all. while with bunny yes he’s awful but imo there’s still enough charm to him where it’s realistic for richard to have some remorse and miss him.

but idk maybe i just missed the whole point 🤷‍♂️

[some-pers0n]

rant about webs

I don't think you fully understand what you've unleashed here. You have just given me leeway, an excuse, to rant about my absolute least favourite character ever made.

Before I begin, I want to preface that, despite using strong language every now and then, I don't hate characters. I don't hate a lot of things. I dislike or don't agree with things, especially minor stuff like Glory's character arc not being as great as it could be or not care for arc 3, but I don't hate it.

I hate Webs. There has never been another character out there in any piece of media I detest more than this worthless sack of scales. He is abominable. He is nothing. He is useless. I hate him. I am revolted and disgusted by his mere existence.

I don't hate people who like him. If you like him, cool!! I like seeing other opinions! I may disagree with you entirely, but I don't want to come across that I literally hate people who don't share my opinion. I don't hate them at all. They're cool!! I'm just an overly emotional person on the internet who wants to wring the neck of a fictional dragon as if it were a wet towel.

Oh yeah, I also get a wee bit...intense and very aggressive. Be warned.

With that being said, I'll begin.

Webs is a nothing character. I don't think I have ever seen such a frustratingly empty and lifeless character. He is a shell. A husk. Any words he says holds no weight or meaning. He is speaking, but not talking. He has zero personality. He has no life. Looking at him and seeing him and his words gives off nothing. He is more hollow than an NPC in a early SNES game that only repeats the same line of dialogue.

Webs and his lack of a compelling personality is a large part of why I despise him. The greatest sin a character can be is boring. I can handle annoying characters, because at least then they have something to latch onto. A character that is completely dull is beyond infuriating. I want to bite a hole in his neck. He's soulless. He does not exist as a person. He is words on a page. It sounds redundant since every single character is technically just that, but their personality is what makes them real. Webs is not real. Webs is not even two-dimensional. I hesitate to say he's even one-dimensional since that would imply there's a dimension to his character.

I adore characters. Characters and dialogue are my favourite things to write about. I like my larger than life characters and personalities, obviously. I love being entertained by fun and compelling characters. While I'm personally fond of villains, I enjoy just about any character with...something to latch onto. Something to make me care about them for one reason or another. Whether it be their backstory, personality, relationships with the other characters, etc.

Webs is an void of creativity and depth. He is a cosmic horror with how maddeningly and stupidly terrible he is. It genuinely makes my blood boil and head spin to think about him. I'm on the verge of an actual headache writing this. I despise this terrible thing.

Webs is not a character. Webs is an anomaly. It is borderline impossible to somehow create a character that is virtually impossible to find anything to care about, but Tui managed to do it. I'd compare him to smooth, wet surface with no grip or anything to latch onto, but that would imply that he would be interesting in any regard. A surface that doesn't have anything to hold onto is fascinating. Webs is not that. Webs and his lack of anything is beyond that. He is worse than boring. I hate him.

That's not even mentioning the stuff he's done. Oh GOD the stuff he's done.

Webs often gets labeled as the ""best"" guardian because he doesn't explicitly physically and verbally abuse children. How sweet!! I'm going to bash his head into a wall and watch the entrails spill out and onto my hands. He STILL neglected the DoD and sat there like a spineless coward while they were being abused.

Hey, wanna hear something that'll blow your mind into a thousand pieces and leave you a bloody screaming mess on the floor, wailing in agony and begging God to save you from this hell? Neglect is still abuse!! Yippeee!!!! Wahoo!! :)

Webs sat there like a useless coward while children were abused. So likable!! Yeah, realistic for his character (which is so shallow that it's just flat earth), but it doesn't make me care about him. It makes me hate him. I hate Webs. I hate him so much.

Webs was scared of Kestrel and Dune, but that doesn't excuse him from sitting idly by like the goddamn waste of space that he is and doing absolutely nothing. He then is seem as the "good guy" by the DoD because ohhh boo hoo he's so sad and pathetic. :((( Yeah he's pathetic. I want to see him dropped off a cliff and fall to his demise.

B–b–but what about Riptide? Riptide? Who gives a shit about him and Riptide?? The books don't!! The books had the FULL power to turn this into an actually interesting plot point and did NOTHING! NOTHING!!! Riptide is a stale and empty piece of cardboard (like father like son), but husband only saving grace is that he has a SHRED more personality and charm than his limp-dick bastard father.

But, okay. Okay, okay, okay. I suppose I'll give them the benefit of the doubt. Let's see what Webs did.

Oh!! Webs basically abandoned his wife and infant child and left them for dead? He allowed his wife to be executed by Coral and for his son to be known and have to carry the weight of being the son of the kingdom's betrayer? HOW WONDERFUL! HOW NICE! HOW GOOD! God I want to see the life drain from the eyes of this overized Petsmart disease-ridden gecko.

The worst part is KNOWING he could've been better. This whole plot point? It could've been so interesting. So nuanced. But, NO!! No, no, NO! That would require Tui putting some actual goddamn effort and work into this character, which he doesn't deserve in the slightest. What does he deserve? Being put six feet underground.

Webs is a parasite on my mind. I have never wanted to have anybody suffer like him. I hope there is a dragon hell so that he gets to live through the torment he forced his wife, Riptide, and all of the Dragonets of Destiny through for eternity. I hope he feels his wife's throat being torn open by Coral and the agony from it. I hope he feels every lash and every cut and every insult that Kestrel and Dune dealt out to the DoD. I hope he doesn't get a moment of peace.

He should have died at the very least. He is the least interesting guardian out of all of them. For GOD'S sake Asha and Hvitur are infinitely more interesting characters than him. ASHA DOESN'T EVEN FUCKING SHOW UP. SHE'S DEAD BEFORE THE STORY STARTS.

Kestrel has connections and links to such important characters. I don't like her and disagree that she should've lived past TDP, but I respect her character. Her impact on the DoD, Peril, Sky, etc is undeniable.

Dune has connections to Six-Claws and Thorn. We know he was a trusted member of the Outclaws and was once highly respected.

Hvitur, despite being an IceWing and not a part of the prophecy, is accepted to be a guardian. He believed with all of his might and soul that the prophecy would work. He had faith.

Asha, despite being a MudWing, desired a family. It's mentioned by Cattail and leaves open the idea that Asha was uncharacteristically caring and sweet for an adult MudWing. I always believed she was like Hvitur in a sense, joining the cause because she wanted to raise children and help end the war.

Webs has nothing. He is nothing. He is worthless. He is useless. He is a coward. I want him gone. Killing him in fanfiction or even in canon isn't enough now. I need him erased from existence. I don't want to spare another fraction of a millisecond to think about him. He doesn't deserve it.

I hate Webs.

[luminantrondo]

4, 5, 14, and 15. (I don't know if I sent this or not, my memory is spotty. If I did send something before, ignore it.)

(nah, didn't send smth in before, no worries. Thank you for sending these ones in!)

tales ask meme

4. something you wish to see in future games

Another female protagonist would be cool, esp if they kept her girly but still kicked ass (like Zelda in Echoes of Wisdom lol). I'd also like some interesting antagonists that aren't 1-dimensional like Ve//speria and Ze//stiria's.

5. something you hope never is used again in future games

The Arise-style skits (wtf is this, a comic book?), a "main couple + pair the spares" (...again, Arise), and no Tales traitor. That trope is so overdone and sucks, tbh.

15. a side quest that stuck with you

I have one for Vespy, Abyss, and Symphonia. For Vesperia, it has to be the brionac quest + Hermes' notes. It's the closest we get to Judith lore (in the game) and Judith & Rita's relationship is well done. I also liked the Sword Dancer one, too, if only to see Flynn lose his cool a bit. For Abyss, I like the Tear's pendant side quest, and I remember farming the last bit of Gald just to get it back. If you know me, you know I don't ship these two together, but I think their relationship and how it naturally grows is one of the best in the series. It's so sweet of Luke and a huge change from how he was in Act 1. For Symphonia, it's the Virginia Sage one, where Raine and Genis find their mother again. The voice acting in the scene (in English) is phenomenal, it really caps off Raine's conflict (even humanizes her more), and there's a sweet follow-up skit between her and Genis. I rambled about this scene in a previous post of mine, so I'll spare you my babbling lol...

14. an unpopular opinion

(lmfao. i have so many that i could make it its own post... but i'll go with the one that's been on my mind lately.) (i got wordy, rip)

Flynn Scifo was not a "bully" to Yuri in the beginning.

A large chunk of fandom (or maybe early fandom and isn't so prevalent now) think he was a bully to Yuri in Act 1, "harassing" him to rejoin the knights. In all the pointing fingers at Flynn, I never see anyone look at Yuri or try to see it from Flynn's POV. I know it's because Yuri's more popular and because he's the main character. But Flynn has a point when he calls out Yuri in Capua Nor (or was it Torim? Idfk). What has Yuri changed since he quit the knights? All he's done is sat around in the lower quarter since he left. Yeah, he doesn't know what to do because the knights was basically the "dream job"/ticket in to enact change. But Flynn's right. The reason Flynn keeps asking him to rejoin the knights is because that's what they planned on doing to change the world. To Flynn, Yuri walked out on their hard work, so he's understandably bitter, too. In fact, this is exactly why things are so rocky between them at the start of the game. I also have to wonder if it's a translation thing, too, because I'm aware a lot of lines were rephrased to make Yuri sound more aggressive at parts and Flynn sound more... demanding (referring to Nordopolica scene), for lack of better wording. And before you ask, I can read and understand Japanese, so it's not a "he said, she said" scenario. I think the reason everyone calls Flynn a bully is because he not only succeeded in his dream, but he doesn't beat around the bush when talking to people. Like Judith, whose bluntness people are more aware of, Flynn's blunt. He tells it like it is, and that's probably because he's captain of the knights...? Think back to that one event where he and Yuri stop some thieves, and the little boy that tried to help says he wants to be a knight when he grows up. Does Flynn pat his head and go "wow you were so brave"? No. He tears the fucker down by calling him out on his recklessness, saying that just because he wants to be a knight doesn't mean he will. Granted, he does bandage the wound a little when he commends the kid's courage, but the compliment doesn't come after a lecture. And lbr, no one likes being told the hard facts. No one likes being called out. I think Flynn hit a personal sore spot with the "Flynn's a bully" crowd. Yuri's not the special snowflake, depresso espresso protag that he's praised to be. He's a good character, don't get me wrong, but he's not always in the right. It's just jarring to see when it comes to the romantic side of Flynn and Yuri, there's a heavy bias for Yuri, yet Flynn somehow gets villainized in some form or another. Like the narrative molds itself around the fact that while both characters fucked up, Flynn's the bigger fuck up because in canon he's a "bully." Flynn calling him out isn't to pressure him back into the knights. The way he sees it, Yuri sits on his hands and bemoans how the rich suck ass and should stop being assholes to the poor... but he doesn't do anything about it. He just keeps getting thrown in jail for harassing the Tweedles. Flynn's basically telling Yuri to back up his words with action, and he says the knights because, again, that was the only way they thought they could change things. And no, Flynn does accept that Yuri's way of doing things is ultimately different from his own. You even have a fucking skit to showcase this (the skit where Yuri wears the knight's uniform). I honestly think the whole "rejoin the knights" by act 2/3(?) is said not in the same way it was in act 1, but more of a jest. Because by then, Flynn's seen that Yuri has made changes - more than he has. He's got no room to drag Yuri back to where he doesn't want to be, and it wouldn't make sense for his character to do so. Flynn's got a lot of issues and he's not the sweet, perfect, somft knight boy that he tricks people into thinking he is. But him being Yuri's "bully" is definitely not it, chief.

[darthbloodorange]

Some news (I guess)

I went through my desk and drawers and went through all my art WIPS. Lots going years back, some nearly a decade old now, that I never got around to finishing. Some I'm not going to finish, that I'm just going to shred and put on the garden as the art has no interest to me now. But others I really want to finish. I'm going to have to redo them from scratch as my art style has improved a lot since when I began creating fanart. (I didn't believe I could draw people before then.) I also have a lot of fic WIPs I want to finish too. Some I've started posting, most that I haven't.

I'm also kind of wanting to get into writing some longer fics. I still love drabbles. But I've got some fic ideas too large for dabbles. I've re-organized my AO3 with this in mind. I had all my bingo and event content grouped together in different series (93 in all - with multiple rounds all saved in the one series). I moved these all into Collections (119 of them, wow) which works so much better for me. This means my AO3 series contains only series, which is great (It's nice to be able to fine my actual series now). I was surprised that I had only created three series. I have plans to create a few more 😉

I gained a few new fandoms. Not that I'm leaving the Marvel fandom. I'm not! I've stopped watching the newer MCU stuff though.

[below is some of the media that have taken my interest recently. A bit rambly, sorry.]

I got around to seeing the DnD film, Honour Among Thieves. Xenk Yendar is dear to me. The movie was so earnest with its storytelling. I could see the way it was going, the tropes were heavily signposted. But it deviled perfectly. You could see what was coming and weren't disappointed with its application. (i.e. Simon/Confidence, Edgin/Letting go etc). It was really well done.

💜.

Black Sails is a pit I've fallen into and can't crawl out of... The show - Flint, really - reignited something in me I hadn't realized had gone out. The belief that it's still possible to fight for a better world.

Gates was my favourite until his death. Flint had a lot of redeeming to do in my eyes after that, but he became my new favourite. I'm sorry to say I wasn't a fan of S!lver. He gave me anxiety from the get-go with all his plotting and antics (some of which, I admittedly found amusing). I was torn between laughing and wanting to throttle him until season 3. During which, my opinion of him started going downhill with few redeeming moments. (The final episode was the nail in the coffin for me.)

Do I think S!lver killed Flint?  I don't think it matters. Both endings are equally devastating. Death or the plantation (possibly allowed to be with Thomas if the owner is benevolent enough to let them have time together - unlikely - Oglethorpe speaks of people 'cease[ing] to be' in the same way S!lver talks of 'unmaking' people. **Cough Cough Conversion Vibes Cough**.)

Funny aside. When I first saw Mariana (coupled with how Flint responded to her - He looked really grief-stricken and a little shocked? and tried), I legitimately thought she might be a ghost of someone from his past. My friend, who I was sharing my watch-through with, laughed uncontrollably. I didn't understand why... Until she actually became a ghost that haunted him.

I adore FlintHamiltons. I would say the three are my OTP of the series... but... I also really like Flane. I didn't like Vane at first but he really grew on me. I jokingly started shipping it when Vane said he was going to save Flint. I started shipping it a little more earnestly as he did as he said he would. But when Vane saved Flint from Teach it was like falling down the stairs into the ship. I was hopelessly, irrevocably lost to Flane. FlintHamiltons and Flane are near equal in my heart. So FlaneHamiltons are my really OTP because why not both?

I really loved how Teach was handled? Normally when Blackbeard is in a show I've just been disappointed. Mostly he's just a two-dimensional villain who wants ultimate power. Very boring. The sigh of relief I gave in episode one when Blackbeard was just one of Noonan's girls. I was so relieved. Then he was introduced in season 3 and I was admittedly disappointed. I loved pirates as a kid. So I recognized the name Teach. I perked up when I heard his name, because I was like "Hey, I know that name! I know Teach!!!" only seconds later to go, oh crap, it's Teach. They brought in Blackbeard. Great. I was happily surprised with how they portrayed him. That my expectations were proven very wrong. I love him. That moment with Vane in Season 3 Episode 3 where Teach offers Vane a choice, not an ultimatum hit me in the heart. The way he asks Vane to be his son/legacy. Doesn't claim. Asks! Offers him the choice. I've never seen that in a show. And it got to me. I felt horrible for Teach when Vane sided with Flint on the beach. And sad that it was in part because Teach slipped up and created an ultimatum for Vane. Him or Flint. And Vane picked Flint.

(I shall stop talking about Black Sails... for now. That show has taken up residence in my soul, I swear.)

💜.

I've reignited my love of Star Wars (though I'm not a fan of the direction Disney has taken things.), though my ships have changed slightly (Obi-Wan is still my favourite). Ob!k!n is very much a NOPE! Anak!n too, kind of... sorry (I can't get past a lot of his choices. or political views, especially with how real-world stuff has gone). Still adore the Jedi, love my soft found family of space empath wizards.

💜.

I finally watched Bridgerton. I loved it. Lady Danbury is the BEST! Her godson is a close second. But nobody is as amazing as Lady Danbury.

And a few other bits of media... which I enjoyed but don't think I'll create content for. (I've been working my way through my "to watch list".)

I watched "Some Like It Hot" (Didn't like Sugar/Joseph's relationship. But ngl, Osgood/Daphne was kind of sweet? Especially when Daph started to really like him.) and the Clue movie from the 80s (I think what Mr Green said he was going to do when he gets home was a cover-up to hide the truth of his identity from his employers. I've read a fic where Boddy was also undercover and they are partners... and I'm not letting that go. The whole "Sit" moment is really funny now with that added fantext.)

[bluejayfiredancer]

hiiiiii im just sliding into your asks because i want to talk to someone about inkheart and mo specifically but no one in my real life wants to hear it lol. here's a question: if i were hypothetically thinking about writing an inkheart tv series what would be the most important parts of mo's character to really try and communicate/illustrate, to you?

omggg!! first off, my sincerest apologies for the late reply! second, I'm always dying to talk about Mo but I'm in the same position as you so thank you so much for the message, truly!!!

this is such a juicy question! if we're hypothetically assuming the whole trilogy would be adapted (and it better)... aside from the more obvious stuff like his relationships with Meggie/Resa/Dustfinger, I'd say that Mo's frankly scarily intense idealism should be hinted at early on, then highlighted. I've mentioned this before here, but it's really the driving force of his character if we're looking at his whole story, and his less reasonable later actions become easier to understand when you have this in mind.

more generally speaking, I basically think the roots of his Bluejay personality need to be consistently shown for his arc to make sense to viewers - his fearlessness and impulsiveness, his willingness to go really hard when he has to, the way he rarely actually fully opens up to anyone, etc. I'm still of the opinion that the seeds were all there; Mo didn't turn into what he does out of nowhere, he was never just a one-dimensional sweet meek dad.

(adding to this, I think it'd be important to properly depict that his acting out in Inkdeath is largely due to him being in a Very Not Good place mentally and not like, him being an asshole while he's having a good time)

I'm coming from a super biased perspective as someone obsessed with Mo's arc, it's unlike anything I've read before or since and I love it so much. I've always seen people not jive with it, so I think it'd be pretty tricky to pull off in an adaptation, too. Is the wider audience ready for a cozy book nerd hot dad to become an angsty pain in the ass murderer hot dad

[scoobydoodean]

Like. I don't think I can refer to myself as a reformed hardcore stan, because I was never quite far enough on that side to begin with (at least I like to think I wasn't)? But let me tell you after the first time I watched SPN (around the tail end of the Carver era was when I jumped in and binged) I was fixated on Dean from the first moment and instantly in love with him, and because I watched in a manner that was so fixated on Dean's motivations and Dean's feelings and Dean's perceptions, I really was checked out on Sam to a large degree, and I only understood him from the lens of someone who loves Dean—not through his own lens or even through Dean's eyes but just as Dean's fan, who is protective lol. I did not like Sam. I just thought he was... at best, an amoral, semi-awful person, was largely unfeeling toward his alleged friends and family, and was a shitty brother. Then I read things online that confirmed that bias—some of which I read and could recognize were biased but still agreed with largely, but they slowly warped my thinking further—and they added negative emotions about Sam, and I was just like "Wow. This guy is awful???" But I... didn't WANT to feel that way about Sam, because Dean loves him. I looked at Dean and I thought, "Dean loves this guy that I think is bad for him and who I think is awful to him and who I think is kind of terrible to everyone around him all around. Dean loves him though, so there has to be something more to him than what I have let myself see? I don't want to view Dean in such a way that him loving anyone in his life is just... him not knowing any better? Or god forbid being manipulated or abused into it or anything like that? I don't want to view Dean's life and his love as a tragedy?"

And I knew I had been biased—I knew I hadn't paid nearly as much attention to Sam's story and his motivations and feelings as I did Dean's and I knew I wasn't supposed to see what I was seeing, so I decided to rewatch the entire show with my focus on Sam, because I didn't want to hate him—I wanted to understand him—and good GOD I came away with such a more complex understanding of who he is and how Dean sees him. I realized some of the negative motivations and flaws I had perceived Sam to have were deeply warped from who he actually is by selective recall that put the negative moments at the forefront of my mind and didn't allow me to examine him in context or think of his actions holistically and not just as one-dimensional or occurring in a vacuum. I also realized how other people's opinions online had really fed into my initial negative feelings about Sam, added to them, and acted as confirmation bias, and that a lot of what I had read was actually deeply warped or deeply unfair or reductive of his motivations, and what I had felt while watching just... wasn't accurate to who they were truly trying to present Sam to be, or how Dean sees him, or the interpretations were... valid at the end of the day but just one possible interpretation of his actions, and there were much more charitable interpretations of the exact same actions that also made complete sense and made the show so much more worth it to love and enjoy? So many of the things I disliked about Sam I realized were distortions of him—weren't quite the truth—had twisted it to suit a bias or a narrative—and of the flaws in him I felt remained, I understood them so much more and was more struck by fascination with them most of the time than frustration or resentment. His and Dean's flaws and where those flaws originate from and the way those flaws mesh and clash is just so unbelievably interesting? Why would I want to trade out understanding that and analyzing it and the richness and realness it brings to these characters... for some cartoonish story about a guy I really love and a self-absorbed asshole the guy I love is willing to sacrifice his life for?

All of that to say... I could have gone the other way. I could have turned full blown Sam hater and let me tell you I would have terrorized all of you with some of the most uncharitable, cruel interpretations of Sam and they would have made your head spin... and I would have been good at it too!! I can promise you that! I would have spun the most insanely cruel narratives about Sam on the planet. I would have been [Ruby voice] the best of those sons of bitches!!! In other words, I understand deancrits (and other crits) from the perspective of just being a fan of a character and then viewing everything as a fan of them and slowly becoming warped over time into a demonic hell bat, but I don't have sympathy at the end of the day, because 1) the actual intended interpretation of the text is sitting right there and it's been traded in for some cartoonish buffoonery that slowly transforms your complex and interesting fave into a cardboard cutout whose only personality trait is being victimized, and 2) if I wanted to be uncharitable, I could build the exact opposite crit analysis. I could make the exact same arguments and or worse ones—and worse ones. So after that watch and every rewatch since, being extremely anti as a personality trait (deancrit, samcrit, cascrit) has always felt stupid and laughable and like the fandom's biggest joke to me. Like we all feel a little mean inside sometimes and want some schadenfreude, and we all have our criticisms, but we also all need to be humbled at times over our faves or told to calm down and to stop reducing the story and the characters down to stupid boring caricatures.

Dean crits have no idea I could be just as braindead about their fave as they are about Dean if I wanted to be.

[tarobytez]

disability in the Six Of Crows Duology; an analysis of Kaz Brekker, Wylan Van Eck, and the fandom’s treatment of them.

****Note: I originally wrote this for a tiktok series, which im still going to do, but i wanted to post here as well bc tumblr is major contributor to what im going to talk about

CW: ableism, filicide, abuse

In the Six of Crows duology, Leigh Bardugo delicately subverts and melds harmful disability tropes into her narrative, unpacking them in a way that I, as a disabled person, found immensely refreshing and…. just brilliant. 

But what did you all do with that? Well, you fucked it up. Instead of critically looking at the characters, y’all just chose to be ableist. 

For the next few videos paragraphs im going to unpack disability theory (largely the stuff surrounding media, for obvious reasons) and how it relates to Six Of Crows and the characterization of Kaz Brekker and Wylan Van Eck, then how, despite their brilliant writing, y’all completely overlooked the actual text and continuously revert them to ableist cariactures.

Disclaimer: 1. Shocker - i am disabled. I have also extensively researched disability theory and am very active in the disabled community. Basically, I know my shit. 2. im going to be mad in these videos this analysis. Because the way y’all have been acting has been going on for a long ass time and im fuckin sick of it. I don’t give a shit about non-disabled feelings, die mad

Firstly, I’m going to discuss Kaz, his play on the stereotypical “mean cripple” trope and how Bardugo subverts it, his cane, and disabled rage. Then, I am going to discuss Wylan, the “inspiration porn” stereotype, caregivers / parents, and the social model of disability. Finally, I will then explain the problems in the fandom from my perspective as a disabled person, largely when it comes to wylan, bc yall cant leave that boy tf alone.

Kaz Brekker

Think of a character who uses a cane (obviously not Kaz). Now, are they evil, dubiously moral, or just an asshole in general? Because nearly example I can think of is: whether it be Lots’O from Toy Story, Lucius Malfoy, or even Scrooge and Mr.Gold from Once Upon A Time all have canes (the last two even having their canes appear less and less as they become better people)

The mean/evil cripple trope is far more common than you would think. Villains with different bodies are confined to the role of “evil”. To quote TV Tropes, who I think did a brilliant job on explaining it “The first is rooted in eugenics-based ideas linking disability or other physical deformities with a "natural" predisposition towards madness, criminality, vice, etc. The Rule of Symbolism is often at work here, since a "crippled" body can be used to represent a "crippled" soul — and indeed, a disabled villain is usually put in contrast to a morally upright and physically "perfect" hero. Whether consciously on the part of the writer or not, this can reinforce cultural ideas of disability making a person inherently inferior or negative, much in the same way the Sissy Villain or Depraved Homosexual trope associate sexual and gender nonconformity with evil. ”

Our introduction to Kaz affirms this notion of him being bad or morally bankrupt, with “Kaz Brekker didn’t need a reason”, etc. This mythologized version of himself, the “bastard of the barrel” actively fed into this misconception. But, as we the audience are privy to his inner thoughts, know that he is just a teenager like every other Crow. He is complex, his disability isn’t this tragic backstory, he just fell off a roof. It’s not his main motivation, nor does he curse revenge for making him a cripple - it is just another part of who he is. 

His cane (though the shows version fills me with rage but-) is an extension of Kaz - he fights with it, but it has a purpose. Another common thing in media is for canes to be simply accessories, but while Kaz’ cane is fashionable, it has purpose.

The quote “There was no part of him that was not broken, that had not healed wrong and there was no part of him that was not stronger for having been broken.” is so fucking powerful. Kaz does not want nor need a cure - its said in Crooked Kingdom that his leg could most likely be healed, but he chooses not to. Abled-bodied people tend to dismiss this thought as Kaz being stubborn but it shows a reality of acceptance of his disability that is just, so refreshing.

In chapter 22 of SOC, we see disabled rage done right - when he is called a cripple by the Fjerdan inmate, Kaz is pissed - the important detail being that he is pissed at the Fjerdan, at society for ableism, not blaming it on being disabled or wishing he could be normal. He takes action, dislocating the asshole’s shoulder and proving to him, and to a lesser extent, himself, that he is just as capable as anyone else, not in spite of, but because he is disabled. And that is the point of Kaz, harking back to the line that “there was no part of him that was not stronger for having been broken”. 

I cried on numerous occasions while reading the SOC duology, but the parts I highlighted in this section especially so. I, as many other disabled people do, have had a long and tumultuous relationship with our disability/es, and for many still struggle. But Kaz Brekker gave me an empowered disabled character who accepts themselves, and that means the world to me. 

Keeping that in mind, I hope you can understand why it hurts so much to disabled people when you either erase Kaz’s disability (whether through cosplay or fanfiction), or portray him as a ��broken boy uwu”, especially implying that he would want a cure. That flies in the face of canon and is inherently fucking ableist. (if u think im mad wait until the next section)

Next, we have Wylan.  

Oh fucking boy. 

I love Wylan so fucking much, and y’all just do not seem to understand his character? Like at all? Since this is disability-centric, I’m not going to discuss how the intersection of his queerness also contributes to these issues, but trust me when I say it’s a contributing factor to what i'm going to say.

Wylan, motherfucking Van Eck. If you ableist pricks don’t take ur fucking hands off him right now im going to fight you. I see Wylan as a subversion another, and in my opinion more insidious stereotype pf disabled people - inspiration porn.

Cara Liebowitz in a 2015 article on the blog The Body Is Not An Apology explains in greater detail how inspiration porn is impactful in real life, but media is a major contributing factor to this reality. The technical definition is “the portrayal of people with disabilities as inspirational solely or in part on the basis of their disability” - but that does not cover it fully. 

Inspiration porn does lasting damage on the disabled community as it implies that disability is a negative that you need to “overcome” or “triumph” instead of something one can feel proud of. It exploits disabled people for the development of non-disabled people, and in media often the white male protagonist. Framing disability as inherently negative perpetuates ideals of eugenics and cures - see Autism $peaks’ “I Am Autism” ad. Inspiration porn is also incredibly patronizing as it implies that we cannot take care of ourselves, or do things like non-disabled people do. Because i stg some of you tend to think that we just sit around all day wishing we weren’t disabled. 

Another important theory ideal that is necessary when thinking about Wylan is the experience of feeling like a burden simply for needing help or accommodations. This is especially true when it comes to familial relationships, and internalized ableism.

The rhetoric that Wylan’s father drilled into his head, that he is “defective”, “a mistake”, and “needs to be corrected”, that he (Jan) was “cursed with a moron for a child” is a long held belief that disabled people hear relentlessly. And while many see Van Eck’s attempted murder of Wylan as “preposturous” and overall something that you would never think happens today - filicide (a parent murdering their child) is more common than you would like to believe. Without even mentioning the countless and often unreported deaths of disabled people due to lack of / insufficient / neglectful medical care, in a study on children who died from the result of household abuse, 40 of 42 of them (95%) were diagnosed with disabilities. Van Eck is not some caricature of ableist ideals - he is a real reflection on how many people and family members view disability. 

Circling back to how Wylan unpacks the inspiration porn trope - he is 3 dimensional, he is not only used to develop the other characters, he is just *chefs kiss* Leigh, imo, put so much love and care into the creation of Wylan and his story and character growth that is representative of a larger feeling in the disabled community. 

That being said, what you non-disabled motherfuckers have done to him.

The “haha Wylan can’t read” jokes aren’t and were not funny. Y’all literally boiled down everything Wylan is to him being dyslexic. And it’s like,,,, the only thing you can say about him. You ignore every other part of him other than his disability, and then mock him for it. There’s so much you can say about Wylan - simping for Jesper, being band kid and playing the fuckin flute, literally anything else. But no, you just chose to mock his disability, excellent fucking job!

Next up on “ableds stfu” - infantilization! y’all are so fucking condescending to Wylan, and treat him like a fucking toddler. And while partly it is due to his sexuality i think a larger portion is him being disabled. Its in the same vein of people who think that Wylan and Jesper are romantically one sided, and that Jesper only kind of liked Wylan, despite the canon evidence of him loving Wylan just as much. You all view him as a “smol bean”, who needs protecting, and care, when Wylan is the opposite of that. He is a fucking demolitions expert who suggested waking up sleeping men to kill them - what about that says “uwu”. You are treating Wylan as a burden to Jesper and the other Crows when he is an immensely valuable, fully autonomous disabled person - you all just view him as damaged. 

And before I get a comment saying that “uhhh Wylan isn’t real why do you care” while Wylan may not be real, how you all view him and treat him has real fucking impacts and informs how you treat people like me. If someone called me an “uwu baby boy” they’d get a fist square in the fucking jaw. Fiction informs how we perceive the world and y’all are making it super fucking clear how you see disabled people. 

Finally, I wanted to talk about how the social model of disability is portrayed through Wylan. For those who are unaware, the social model of disability contrasts the medical model, that views the disability itself as the problem, that needs to be cured, whereas the social model essentially boils down to creating an accommodating society, where disability acceptance and pride is the goal. And we see this with Wylan - he is able to manage his father’s estate, with Jesper’s assistance to help him read documents. And this is not out of pity or charity, but an act of love. It is not portrayed as this almighty act for Jesper to play saviour, just a given, which is incredibly important to show, especially for someone who has been abused by family for his disability like Wylan, that he is accepted. 

Yet, I still see people hold up Jesper on a pedestal for “putting up with” Wylan, as if loving a disabled person deserves a fucking pat on the back. It’s genuinely exhausting trying to engage with a work I love so much with a fandom that thinks so little of me and my community. It fucking shows. 

Overall, Leigh Bardugo as a disabled person wrote two incredibly meticulous and empowered disabled characters, and due to either lack of reading comprehension, ableism, or a quirky mix of both, the fandom has ignored canon and the experiences of disabled people for…. shits and giggles i guess. And yes, there are issues with the Grishaverse and disability representation - while I haven’t finished them yet so I do not have an opinion on it, people have been discussing issues in the KOS duology with ableist ideals. This mini series was no way indicative of the entire disabled experience, nor does it represent my entire view on the representation as a whole. These things need to be met critically in our community, and talked about with disabled voices at the forefront. For example, the limited perspective we get of Wylan and Kaz being both white men, does not account for a large portion of the disabled community and the intersection of multiple identities.

All-in-all, Critique media, but do not forget to also critique fandom spaces. Alternatively, just shut the fuck up :)

happy fucking disability pride month, ig

[mistchievous]

This fandom has a very strange divide when it comes to Shannon Diaz.

I say strange because I don’t think you’re all as divided as you think you are. I think you’re coming from different places and completely missing each other. I might be wrong, but let me explain what I mean.

First, it’s possible to have multiple emotions and opinions about a character. You don’t have to despise a character completely or adore a character completely. And if you do either of those things, you should acknowledge when a character isn’t two-dimensional. Like, I love this character including their flaws. Or even, I love this character despite their flaws.

The issue with Shannon is that the diverging opinions seem to be coming from two different places. I say this because I personally have differing opinions regarding Shannon that align with both “sides” of this depending on how I’m looking at her.

There are opinions regarding Shannon’s character inside the narrative, and there are opinions regarding Shannon’s character outside the narrative. And those opinions clash.

I’m going to explain this as clearly as I can.

Inside the narrative, we’re talking about Shannon as though she’s a real person and we’re judging that character based on her actions.

The main thing people talk about, of course, is Shannon abandoning Eddie and more importantly Chris.

Then others point out that Eddie also left, but fans have been willing to forgive him. So why not Shannon? To which Side #1 points out that Eddie "redeemed” himself whereas Shannon did not. To which Side #2 points out that Shannon didn’t get the chance to redeem herself because she was hit by a car.

I tend to fall more in line with Side #1 on this though I understand where Side #2 is coming from. And there are two main reasons why. (Though again, please understand that Side #2 falls more in line with the outside narrative which I’ll address in a minute.)

One reason is because I feel like Side #2 is misrepresenting the differences between Shannon and Eddie as parents and what they “did”. And I’m not talking about Eddie being gone for work whereas Shannon just left. I’m intimately aware that money is no substitute for a person’s actual presence. My dad can help me out as much as he wants financially, and I know he loves me. But it will never compare to everything my mom has done for me emotionally by supporting me as a person and really getting to know and understand me.

When I say there’s a difference between Shannon’s form of “leaving” and Eddie’s form of “leaving”, I mean this. Shannon completely removed herself from her son’s life. She was gone. She didn’t even stay in contact as far as we know. Whereas Eddie may have run away physically, but he was still there in a way. He still communicated with both Shannon and Chris. He still went home to them on leave. I’m not defending what he did or saying that he was being the parent or husband he needed to be. I’m just saying that these two things are different. And I would honestly argue that one is more easy to “forgive” than the other, but that’s just my personal opinion.

Now. The second reason I tend to fall in line with Side #1 from inside the narrative is because Side #2 is kind of assuming that Shannon would have redeemed herself if given the chance and that she was worthy of that forgiveness.

They might be right, but they also might be wrong. First of all, loving your child does not excuse hurting them. And while Shannon did love Chris, she also caused him a large amount of emotional pain. So even if she did “redeem herself” as a parent, no one is obligated to forgive her for abandoning him. And it’s important to note that if Shannon were Chris’ father instead of his mother, people would probably be far less inclined to even give her a second chance. Much less think that trying to better herself and be a better parent meant people were obliged to forgive her and see her more favorably. It’d be more like “Oh. So now he wants to step up and be there.” Whereas for a mom it’s like “Oh, she was struggling so much. And she came back. And she loves her son. Etc.”

As a society, we tend to put moms on a pedestal and see dads as secondary. And it affects how we react to the things they do.

But also, even inside the narrative, there’s no guarantee that she actually would have stuck around for Chris. She completely abandoned him once, and she could do it again. And arguably, it would be easier to do the second time. Even if she loved Chris and didn’t want to hurt him. She loved him the first time too. Loving someone doesn’t mean you’re incapable of causing them pain. So this idea that Shannon would have redeemed herself is a hopeful one. Not a fact. And even if she did, no one is obligated to forgive her. There’s no scale where if she does enough good things, it magically erases the bad. Forgiveness is personal. You choose to forgive someone. People can’t buy it from you with their actions.

Now, let’s talk about outside the narrative.

This is where I more line up with Side #2.

When people say Shannon “deserved” a redemption arc and that what was done to her character was fucked up, it’s not a defense of her inside the narrative. At least in my understanding.

This is where you’re talking about Shannon from a creative standpoint. Where you’re stepping back from the story and viewing her as a character.

Let me explain.

While you may not like Shannon as a person, creatively she was a well-developed character. She was complex and had a variety of motives. She had an actual background that we got to see bits of in Eddie Begins. She was built into someone important who could have played a very interesting role in the story.

Instead, they basically fridged her. They said “Eh. I don’t feel like dealing with this character and all the complexities they add to the story, so let’s just kill her off.” And they did. They turned an interesting and multi-faceted character into a plot device and used her death to focus on Eddie. The woman died, and her death became all about Eddie. (And Chris, but the man pain was the main focus. Let’s be real.)

It was sloppy and weak writing, and I would argue that yes. Shannon’s character deserved to be handled better. Not because she was a great person, but because she was a good character. Not to mention the fact that it’s also a bit misogynistic because this sort of nonsense is almost always geared at female characters. Not the male ones.

(If you watch Lone Star, they pulled some similar nonsense with Charles Vega. And I was pissed. And so was a lot of the fandom. Tommy got an entire episode devoted to her coming to terms with his death, but I’ll be interested to see if they drag her grief out for an entire season like they did for Eddie. If her pain has the same level of focus his did. Because if they skip to her moving on, I will burst into ugly laughter. Especially when unlike with Eddie and Shannon, Tommy and Charles had a very loving and well-founded relationship that was going strong. So, the idea that Eddie would be more consumed by grief over Shannon than Tommy would be over Charles would have me side-eying the screen a bit. Even though I know grief is a very personal process. But I’m getting sidetracked. Back to Shannon.)

I’m not saying Shannon’s character should have been handled better in that she deserved to redeem herself and be forgiven and be a mom to Chris and yadda yadda. That’s all inside the narrative.

I’m saying that as a character, it would have been better to follow her. Not run her over with a car. Even if she had that “redemption arc”, it would be a more compelling story for her to fail. For her to try and redeem herself and then get “overwhelmed” by parenthood and make more mistakes. And if she didn’t continue to fail, there could have been the focus on divorce and how that affects families and children. How she and Eddie navigate their issues with one another to continue parenting Chris.

Instead, no. They killed her. It was lazy and irritating writing.

So, that’s what I mean when I say I don’t think you’re all as divided as you might believe.

Because honestly, I think most of you have a more complex view of her that lines up with this in a lot of ways, but it’s not something people have time to really explain. So, it comes out as “Ugh. I don’t like Shannon,” which rubs some people wrong who are viewing her as a character. Or it comes out as “Ugh. Shannon deserved better,” which rubs other people wrong who are viewing her as a person and parent.

This is just what I’m seeing and taking away from everything, and I hope it helps clear things up for some of you. Or gives you a better understanding of where the other side might be coming from. ❤️

I don’t claim to speak for the entire fandom. It’s just eyebrow-raising to me. Because I hold both opinions, so I don’t really get why there’s a big debate.

[wowsoboring]

Deconstructing baseless Harry Potter arguments #1: Harmony Edition

There’s a very helpful account on instagram (this instagram page merely gathers toxic harmony shippers, they don’t ship Harmione or hate all Harmione shippers, please don’t send them hate, show them love and support) where you can essentially find stupid fucking bashers who make baseless arguments. I’m all for Harmione shippers, as long as they don’t denounce Romione, bash Ron and just peacefully co-exist. To my pleasure, such people are out there: they just dont seem to be seen as often as the ones that are not nice. Maybe all I see is the mean people and the majority is nice, but in this post, I am attacking those who make baseless claims and bash Ron/Romione/Hinny/Ginny. I don’t myself hate all Harmione shippers. On top of that, as a Romione/Ron fan, i do acknowledge Ron’s character flaws along with Hermione’s and I hold them on the same pedestal.

This is copied directly from my own instagram page, granger.weasley_ on ig.

Anyways let's get deconstructing

1)

rebuttal:

Yeah okay mf; maybe don’t compare real-life relationships with fucking fictional ones. Your relationship going wrong has nothing to do with Ron/Hermione. It has everything to do with you and your ex: the *real life* people involved in it.

2)

rebuttal:

The weird subreddits and discord servers also seem to have a lot of die-hard Harmione “non-canon” shippers. They bash Ron and Romione (along with Ginny and Hinny) with a burning passion without any objective sense of remorse. They ignore all the merits of Ron’s character and bash him to push their agenda. They can’t even do so much as fucking acknowledge any of Hermione’s character flaws but still somehow manage to fixate on that one time when 11 year old Ron just shit-talked one line while Hermione had just publicly humiliated him in front of the Charms class and practically shouted at him for doing the spell wrong just before. I personally don’t because Hermione was 11 too and wasn’t that good at social cues that early on, which is more than okay. Neither am I.

Only a few people in the Romione fandom bash Hermione. And it’s not like Harmione shippers (most, not all!) don’t bash Ron and Ginny remorselessly, right? The fucking hypocrisy.

If someone considers Ron as the best member of the trio, it is their own opinion and not a fact. I do that. If you consider Harry and Hermione as the best member of the trio or in the whole wizarding world, most people don’t give a flying fuck and probably won’t argue with you because it is simply an opinion. That will only happen when you pass that off as a fact.

Statistically speaking, most (not FUCKING all) Harmione moments are in the movies. The weird dance scene especially. The passionate kiss that happens in Ron’s vision, shit like that. Ron is pushed to the sidelines in the last set of movies while Harry and Hermione show each other endless love and support. “I’ll go with you”. The books on the other hand, describe Harry and Hermione as siblings multiple times, with very little Harmione references.

3)

rebuttal:

So you don't want us to fixate on the large majority of Harmione shippers who do the exact same thing, just kissing Hermione's and Harry's ass and hating on Ron. However you will fixate on people who are most likely not EVEN bashing or hating but pointing out a few character flaws in Hermione in a fair and unbiased way. I would know, I'm a huge fan of Hermione as an individual character (in the books). The only criticism I've seen of Hermione to this day has not been bashing. In the comment section of my own fics (shameless plug) I've seen some Hermione bashing. On an ao3 comment section. And I've seen so damn fucking many people bashing Ron, Ginny, the Weasleys etc. and garner tens and thousands of upvotes on quora.

What does Ron even need excusing for? The running away incident and Krum. What does Hermione need excusing for? Canaries, contributing to Ron's insecurities by making him jealous through Cormac and Krum even though she didn't even like them (especially not Cormac, she fucking hated him). Ron wore a locket that literally highlighted his fatal flaw (insecurity) in an echo chamber. Harry kept getting annoyed when Ron wanted to check in on his family. Harry asked Ron to leave; Ron didn't say that shit in the books about Harry's parents being dead: that was plain shock value.

And sorry for repeating myself but I have seen quite a few Harmione shippers bash Ron and Ginny and excuse every single thing Harry and Hermione have done.

4)

37 upvotes on this weird comment that makes no sense? Echo chamber alert! You know what us Romione/Ron fans all have in common? We have never experienced such an echo chamber. I made a pro Ron/Romione post on reddit and got a considerable amount of people who bashed Ron and Romione in the comments.

The amount of Hermione haters is very few compared to Ron bashers. Nobody hates Hermione for being independent, determined, etc. We dislike perfect movie Hermione who’s an unrealistic image of females and seems like some sort of agenda than a real woman. Most Romione shippers/Ron fans and book fans in general (except for you apparently) dislike movie Hermione and still are fans of realistic book Hermione. Most, not all. In general, we do not claim anyone who does the exact same thing to Harry and Hermione that these sorts of Harmione shippers do to Ron, Romione, Hinny and Ginny. I say this on the behalf of all Romione shippers and Ron fans.

Ron's not a bitchy lay-about drama causing loser. That's Steve Kloves's movie Ron. In the books Ron is realistic and simplistic and apologizes whenever he causes problems. He acts up substantially twice in a span of 7 years where he is also a hormone-fuelled teenager.

This is so contradictory and juxtaposed to the point of near delusion. First you talk about how Romione shippers bash Hermione and then you bash Ron as a Harmione shipper. Mate, fighting fire with fire will get you called a hypocrite. Fix yourself.

5)

So the movies are fine when they work according to your agenda? And yes how dare he add such a (fake) chemistry fuelled moment between Harry and Hermione while defeating the entire purpose and groundwork for Romione, the sadness caused by Ron leaving and so many more things? Those Harmione moments you mention seem friendship -esque more than anything else.

Steve Kloves's moments ruined many things while just paying fan service to the Harmione fans he'd birthed through years in the course of 6 movies where he showed Ron as a, how you so eloquently describe it, lay - about drama causing bitchy loser, Harry as one dimensional and Hermione as a zero - dimensional Mary Sue who might as well be the main titular character. Obviously Harmione fans such as yourself don't see the problem with it as it fits your narrative

6)

We do care about Harry and Hermione at large. Most Romione shippers rightfully bash Draco, Pansy, etc. not particularly Harry and Hermione, that's quite rare. Harry and Hermione can get along without Ron as friends. Ron and Harry can also get along without. Hermione as friend. So can Hermione and Ron without Harry as friends or more. I don't understand your point and how what you said is any different than Romione or Ronarry’s friendship.

7)

Constant arguing is not what they do. They bicker, they apologize, and sometimes they just do it for the heck of it. They are argumentative teenager. Opposites attract doesn't work in the sense of fire and ice, it works in the case of Brownie and ice-cream. Ron is passionate, laid back and insecure. Hermione's passionate, a workaholic and not as insecure. Ron can help her get calm and composed and get her to give herself a break. Hermione can motivate Ron and re - enforce his confidence.

It wouldn't be step incest. Harry and Ginny do not regard each other as siblings. They do not look similar whatsoever. And a Harmione shipper also bashes Hinny and Ginny along with Ron and Romione? Checks out

" that fucked up Harmony" hahaha. What?

8)

Are you literally going to date someone on the basis of what Harry Potter ships they prefer? That is so shallow end depraved. Your Harry Potter ship preferences should not be the groundwork for your dating life. Please understand that. Harry Potter is a fictional world which is not real. Hogwarts doesn't exist. Magic doesn't exist. I sound like a Dursley but that's what it is: a fictional realm with fictional character. I would personally not give a fuck if my best friend or significant other was a Harmione shipper. In the case of them being a Ron basher, I would ignore it as if it was just a minor inconvenience and something we wouldn't be discussing and that's how it should be with you. Fuck BuzzFeed, your opinion on what Harry Potter ship / character is your favorite says squat about your personality and relationship with others in a romantic or platonic context. But who cares? Live your life however you want. I'll be stoic.

9)

It's not opposites attract rubbish or high school opposites attract. Ron and Hermione aren't polar opposites like I said, they are a bit different but similar too in many ways. They have a lot more in common than Harry and Hermione. Ron and Harry have the most in common. Both Ron and Hermione are passionate, loving, argumentative, caring, etc. Your argument lacks substance. It's biased trash. And what does “obhwf " mean?

---------------------------------

at the end of the day, i’m just an annoyed teenager. I try my best to be open-minded to people but only as long as they are too. I tried to use my brain more than my feelings for this post. 

[izzyinarchive]

discussing the final season of carmen sandiego

*spoilers* umm....so yeah, i finished watching carmen sandiego, and i’m left in a state of perpetual sadness and despair. i feel like the ending of the show wrapped up wayyy too fast, and kind of left off on a bit of an unsatisfactory note for some of the characters. although i love the large and diverse cast of carmen sandiego, one of the drawbacks of having all those characters and arcs and storylines makes it harder to cram in a satisfying conclusion for everyone in a twenty-minute episode. so here’s what i would do if there was more time. 

let’s start off with the threads that i think were tied off pretty well: 

julia & chase devineaux: i wasn’t really a shipper of julia and devineaux but i actually really enjoyed their relationship throughout season 4. we see a lot of character growth from devineaux in the way that he interacts with julia and the world. julia pushes devineaux to become a better person, to see things with a broader perspective and from other people’s points of view. and he does really change a lot into an understanding person instead of the overconfident, arrogant detective we first saw him as in season 1. in addition, he also grows to respect julia as a person and partner, and it’s completely adorable how he looks at her while zari tells julia that they’ll follow her lead. also i love how he keeps wearing his lucky cat jacket from san francisco in season 4.  

el topo & le chevre: okay, i was pretty much shipping these two the minute they showed up on the screen together. you can tell how much they care about each other throughout the series. whenever one of them gets hurt, you can really see how they prioritize each other over whatever thing vile is planning. when things are good, they’re so sweet and they have so much fun together. and they take dumb cute selfies. they’re so, so adorable, and this season definitely brings the shipping fodder. and they end the season moving on from vile and running a food truck together. the only thing i’m mad about is that we definitely needed more screen time from them. 

shadowsan: i didn’t like shadowsan in season 1 but over the course of the series he really went through a lot of major character development and i love how he’s now basically a grumpy dad figure to carmen. the season ends with him finally reuniting for good with his brother in japan, and it’s a satisfying conclusion for his arc. i also love how he was the one to help carmen in the finale when she’s struggling with the brainwashing thing. which is way better than the brainwashing being resolved by some bs like true love’s kiss. (also carmen and gray are way too hurt and they’re super not ready for a relationship.)  carmen sandiego is a show that emphasizes the importance of family with this father-daughter duo, and i think that’s something really valuable. also i’m interpreting that shadowsan isn’t permanently moving to japan, but rather just visiting his brother. he’s still definitely going to be there for carmen going forward when she needs him. 

player & carmen’s friendship: i love this show for having a male/female friendship with absolutely no romantic feelings going on. it’s a solid friendship, and depicts a wholesome, supportive relationship. absolutely no qualms here.

and here’s all the stuff that needs expanding/fixing: 

tigress: i actually really love tigress as a character, and i personally think that there should have been more of her in the series. i would have liked to see more depth and motivation to her, since she has a lot of character potential. i don’t really know how i would rewrite tigress’s arc, because it’s virtually nonexistent and there’s not too much to go off of. i don’t think she needs a redemption arc, but i would give her more of a spotlight. (also low key fictional-crushing on her.) i would like to include sort of a tigress-centric episode, which can also generally be more expansion on the inner workings of vile.

cleo & saira: villain couple. villain couple. they need to be a villain couple, enough said. i would rewrite season 4 to have include an emotional downbeat moment in which saira struggles with being able to fit in with society and humans and being completely awkward at it while cleo, in all her regal and ettiquite-esque manners, tries to help. this wouldn’t really help with the main plot, but it would be humanizing and provide character depth. i feel like this could be the b-plot in the tigress episode somehow. 

coach brunt: you don’t betray family. at this point, coach brunt has lost the daughter she raised, who, in her mind, has basically backstabbed her entirely. coach brunt was also betrayed by shadowsan and left for the police to find, and in season 4, malestrom basically abandons her to drown. and it’s highly likely that somewhere in her backstory she’s been betrayed many times, likely by her own blood family, which would provide context for why she’s such a loyal person to vile, who she thinks of as her found family. in rewriting season four, i’m adding one extra episode that’s solely on the backstory of coach brunt. in this episode, we would explore brunt’s upbringing and the first time she is betrayed by someone she considers family. in my opinion, coach brunt was likely pushed to fall by another influence, but she also makes the conscious choice to choose revenge over moving on. potentially, we could also explore brunt’s budding friendship with the mechanic, who we never see again after that one episode, as well as a reflection upon this from her adult self. 

gray & the freaking mind control thing & his moral struggles: *sighs* i can see what the show is going for, but i really just don’t see it in the execution. the way that gray struggles with morality is like it’s an on and off switch. he’s either graham, basic civilian, or crackle, basically evil. in that one episode, he flip flops between being overly heroic, even taking out time from his day to specifically track down a random kid to return his wallet instead of just dropping it off at the police station or leaving it where he found it. and then the flip side is like he’s just robotically relapsing into stealing mode, where he just suddenly has to impluse to steal literally anything. i feel like this flip flop wasn’t really a good portrayal of his struggle and didn’t really demonstrate many active choices made by him. and the way that he’s just like “i’m actually just evil” when he confronts carmen at the lab is just super one-dimensional. i just don’t buy it that he flips to vile so quickly in the span of a few episodes. i feel like there should have been more active reflecting and the decision should have been dragged out longer. 

also it’s revealed in the finale that gray also changed his crackle rod to not go beyond a stun, and i think this was a nice touch, because it demonstrates his aversion to murder, which calls back to the first caper, in which he’s confronted with killing the archeologist at the excavation site. but he doesn’t end up having to make that choice, because carmen stops him. but this time, it’s his own choice to take that step away from vile ideals. i don’t think gray is ever going to be a “hero” of the traditional sense or have a complete redemption arc, because it just doesn’t fit him. to be honest, i don’t know what the future will hold for gray, but i definitely think of he will fall somewhere along the lines of red x (teen titans) or catwoman’s (in certain comic runs) gray morality. (and i think the way gray returns to vile kind of screws this up.) he’s still going to steal stuff sometimes probably, but he’s not going to straight up murder people. he would probably be the type to work for himself alone mostly, but be okay teaming up with the good guys sometimes. definitely no joining evil organizations tho. 

gray & carmen & the “i know you’re in there somewhere fight:” i definitely ship these two, but i think they’ve got a long way to go before they’re really ready to admit their feelings for each other. i’m happy that the “i know you’re in there somewhere fight” didn’t culminate in a kiss scene being the thing that snapped carmen out of the trance. because that is just so cliche and not the message of the show. instead, it’s shadowsan who does. and that makes sense going along with the themes of family. i think the issue with this i dislike how there is no more elaboration after carmen supposedly kills gray. this is her best friend. i would imagine that the reaction would be greater, since he was also her friend and teammate during the months they were both working under vile. and then when carmen’s brainwashing wears off, she agonizes that she killed her best friend. but that’s it. the “i know you’re in there somewhere fight” is the last screen appearance of both of them together. then it’s directly cutting to taking down vile. there should have been a hospital scene where carmen rides with him in the ambulance and talks to him as he’s unconscious, and leaves behind a note for him to read when he’s awake. 

i just really think there should be a “heart to heart” scene somewhere in this finale where they confront their feelings (not romantic stuff, but more about like shared trauma at the hands of vile and their broken apart friendship). this could happen at that sydney cafe. both times carmen and gray go on a “date” she leaves him sitting there alone, bewlildered. i think the finale should include a scene of them leaving the cafe together and then walking away and waving to each other. this shows development in their relationship, and that they are now closer, but it also visually shows that they still have differences as they walk away with a sort of two toned kind of environment angle that shows the different paths they have chosen. (and carmen calls him gray. and he doesn’t correct her.) it’s more of a see you later, than a goodbye though. we’re also getting rid of that part of when gray says he doesn’t want to complicate carmen’s life in the hospital scene. instead, he’s going to ask for a sheet of paper on which he will write an indiscernible letter to carmen. (the same letter will be seen in at the carmen brand outerwear hq a few scenes later for continuity, but unopened at the time, as if carmen’s not yet ready to read it. i feel like both of them need to heal a bit on their own before they’re ready to reconnect. gray knows he has hurt carmen in the past but he also knows it will hurt her if he disappears without a trace, so he’s leaving her with the choice if she wants to see him again instead of making the choice for her.)

ivy & zach & found family: carmen leaves a note behind for ivy and zach and leaves to find her mother. i feel like this did not handle team red’s found family very well. basically, the whole show is setting up this importance of family, especially found family not blood family kind of narrative. vile blood runs in carmen’s veins but she chooses to do good and find her own family. ivy and zach both choose carmen, their found family, over their racing career. i think that they should have stuck together, and when carmen goes to find her mom, they would have been totally onboard dropping her off at the airport and saying a “see you soon” or actually driving her to carlotta valdez’s house in lydia (the car). i just don’t think that splitting them up via a note is really a satisfying conclusion to the whole found family aspect. and in that time skip carmen really should have stopped by to say hi to the zach and ivy and the acme squad instead of maintaining the air of mystery. that would have definitely pushed the family feel, instead of the mysterious loner archetype. 

that time skip thing: yeah, no. this part was completely not needed and unhelpful. instead, we’re going to have carmen hug her mother at the airport, and go to visit all of her friends and found family, especially shadowsan in japan and ivy and zach in presumably boston. and the time skip will be a few onths not two effing years. i think it’s natural for them to grow apart a bit and pursue their own personal goals in life after vile’s gone, but they’ll definitely be staying in touch and reconnecting and seeing each other pretty often. and lastly of all, carmen will meet gray at the cafe in sydney.

basically, this is how i would redo the episodes for season 4. 

episode 1: the beijing bullion caper. (this episode remains as is for the most part, i would like more expansion on lady doksu and shadowsan's past since it seems like their pasts are more tied together than is revealed)

episode 2: the big bad ivy caper. (this episode remains as is for the most part.)

episode 3: the robo caper. (the scenes in which carmen first meets the robot and ivy runs it over with a truck can stay the same. where we start to deviate is with gray’s story with a revised, more complex, and in depth view of his moral struggles. instead of being unaware largely as gray flops between graham/crackle, he’s going to be a lot more aware. he’s still going to rob the house, but instead it’s because he feels hopeless that since he was previously a criminal, that’s all he’s ever going to be. gray doesn’t want to be a civilian, and feels like the only thing that he can do instead is be a part of vile. however, when he sees carmen again, he’s going to realize that if she got out of vile, then that means he has a chance to get out of it too. gray comes to a crossroads of deciding between carmen and vile, good and evil. 

episode 4: this will be the episode that concentrates on tigress, with a cleo/saira b-plot. most of this episode will take place within vile, and give more insights on the workings of the organization. 

episode 5: the himalayan rescue caper. (this episode is going to get a real makeover. with the insertion of episode 4, this creates more actual space between the last time we see gray grappling with his big choices, which makes it feel like more time has passed. so it actually feels like he had more time to think. carmen’s still going to try to rescue gray, and the part with player can stay the same. as gray is manipulated by malestrom, i think this episode should further emphasize how vile manipulates their recruits and amp up the shittiness of how malestrom is acting. i think malestrom should say something along the lines indicating that vile is gray’s only family left, this is what he was born to do, he belongs with them, and make up a bunch of bullshit lies about carmen. malestrom will portray this stuff as the “truth” and then say something like “we told you to the full truth, while carmen was hiding your past from you. didn’t you say you wanted to piece together more of your past?” (which gray did express interest in a previous episode.) since more time has passed, malestrom will play the “if carmen wanted to rescue you, she would have done so already. she abandoned you.” card. of course, it’s not easy to get into a super advanced vile facility, so instead carmen’s going to be having more struggles with getting in, which is the real reason she’s taking a while.) i want to keep the scene where he says that his name is crackle, not gray and not graham. i think this scene is particularly painful because graham/crackle is kind representative of the two sides of good and evil that gray thinks he has to choose between. gray will accuse carmen of abandoning him, both in the present but demonstrating that he’s still hurt by the time when she first left vile, and all those times when she kept secrets from him and disappearing in sydney. carmen asks him to leave with her, but instead of him being like “i’m bad, and i was always a villain,” he’s just going to be hurt and feel manipulated and be so conflicted. i feel like gray would choose vile, but not because it’s where he belongs but because he’s afraid of being brainwashed again if he doesn’t agree and because he just wants to know the truth, which vile happened to tell him first (and carmen had been hiding it from him for a while). why would it make sense for gray to willingly side with vile because he’s “throughly bad?” actions speak louder than words, and it’s clear that he’s definitely not evil enough for vile. 

episode 6: the vile history caper. (we’re just going to keep this episode as is for the most part. but like more el topo and le chevre moments.) 

episode 7: this will be the coach brunt backstory episode, piggybacking off of her hurt feelings about maelstrom’s intended betrayal. 

episode 8: the egyptian decryption caper. (this one is just going to be as is for the most part. the cleaners kidnap carmen, but we’re going insert one more painstaking scene of gray learning of vile’s plan to kidnap carmen. he’s not going to know they are planning to brainwash her. he’s going to feel conflicted and try to protest, but then realizes that now that he’s stuck with vile, if he goes against them he’s probably going to get brainwashed himself. and the brainwashing was really traumatizing, so it’s understandable he’s really afraid of it happening to him again.)

episode 9: the viennese waltz caper. (mostly just keeping this episode as is, but more worrying gray scenes. i feel like he should have had a bigger reaction to seeing carmen so unlike her personality. carmen’s lack of empathy should have pushed himself to question if vile is really a healthy place for anyone if they’re so willing to brainwash his best friend in a greater capacity. i think gray should recognize how bad the situation is but he still won’t act upon it since he’s trapped in the nostalgia of their old squad and since he’s been abandoned by carmen before, he’s too afraid that reversing the brainwashing will result in a repeat of her leaving him again. and he’s still afraid of the brainwashing.) 

episode 10 + 11 + 12. the dark red caper. (yeah, this episode is kind of just way too quickly wrapped up. i’m going to expand this into a three parter so we have more time to focus on everyone. basically, we’re going to expand this for the angst. and because this is the last season and i need more content. i feel like we can follow the general plot trajectory but with more nuance and include the improvements i wrote above about the finale. absolutely pushing the found family trope to its limits, and less vagueness since there’s not going to be another season. oh yeah, and the scene when carmen fights shadowsan, i feel like they could have amped up the emotional stuff and make it as much as about him being her dad figure as the doll because #foundfamily. and also the extra time gives more space for all of that other stuff like endings for all the characters, and more team red found family, and a bit about the non-jailed vile operatives, and the acme team, and also maybe a little infrastructure rebuilding montage, and also that carmen and gray moment.)  

basically i just want a satisfying ending for gray, and i love him, and he can’t just stare out of the hospital bedroom and agree to stay out of her life while melancholy music plays. 

[mcd-ms-rants]

Wow you all are the best <3 <3 thanks so much!!

so without further ado

STUFF I DIDNT LIKE ABOUT SEASON 3:

• Ok why does this season have SO MUCH FILLER

• Waaay too much in my opinion

• We never actually find out what that fragment Zane has is for I mean Emmalyn did find something but she escaped before Zane could force her to say it soooo :/ and then mcd was discontinued

• I don’t understand Aphmau’s reasoning for not being Irene. When Zane says “you would deny your birth?” she tells Zane that she has no memories of Irene therefore she is not her. Well Aph honey tell that to the 38373 tourists that visit everyday just to see you -_-

• Wow was it really that easy to kidnap someone from Phoenix Drop the home of the new Irene damn Zane has his work cut out for him

• I mean he literally walked IN FRONT OF Dante

• Speaking of Zane, i don’t really like his s3 version. Him having the untouchable status of high priest was a big part of his character and removing it made him even more one-dimensional if it’s even possible. Now on top of being a way too simple character you don’t even have the one thing that made you unique. He wasn’t written to be a side antagonist and as someone who likes his concept I feel that he deserves much better. he shouldve been used in s2 as a main antagonist with ivy as a side maybe and not in s3 because it ruined him :(

• Tho why is he not treated as a big threat. He’s a shadow knight. Note that I pretty much skipped past all scenes with Aph in them so if she does something I’ve mentioned below, ignore it. She should’ve sent a warning letter or something to the lords of the neighboring villages like hey the murderous emo priest is back get yo shit together. No one even knows he’s back. for the record I feel like he grew weaker as a shadow knight?? Aren’t they supposed to have greater strength? I don’t understand why his strength level keeps changing throughout the season. It’s apparently easy to defeat Dante but not Lucinda?? Is it bcuz she’s a witch and has long-range magic? Cant shadow knights teleport and use magic too or am I getting it wrong

• I don’t like the ending to Dante and Gene’s fight. He legit laughs and it sounds like he has asthma I’m sorry he sounds like he’s choking there no hate tho...anyway why tf does he leave? All I remember is that the people somehow got freed from his memory magic (again, how??) and surrounded him. why is that a problem?? Knowing him he would’ve just massacred them. or used them as a hostage to force Dante to cooperate this makes no sense

• SO. MUCH. FILLER.

• I don’t like how in Zane’s Wrath it shows a whole village burning and then Zane says “hmm only about 30 people have been slaughtered.” EXCUSE ME HE MASSACRED A VILLAGE ONCE HE CAN DO IT AGAIN. He’s a shadow Knight now where did the advanced strength go?? AND THEN HE SLEEPS RIGHT AFTER. So THIS part of being a shadow Knight applies but his strength doesn’t?? • I don’t like how Emmalyn interacts with Zane. I get that they needed to make it a bit funny but there’s nothing funny about being kidnapped. they should’ve stuck the comedic relief somewhere in between the large amounts of filler. Zane’s a psychopath and a homicidal maniac and Emmalyn should be more scared. I mean it’s evident Zane wasn’t gentle when kidnapping her just look at her house. why is she talking causally. ok even if you argue that he hadn’t shown his true colors yet she knows of him and has heard of what he does. and for the record WHY DOES SHE SPEAK TO HIM NORMALLY AFTER HE SLAUGHTERS SO MANY PEOPLE. Like after the village rampage she cries for a minute and then she’s back to being a scholar who asks waaay too many questions. and purposely withholding info from someone like Zane doesn’t seem like a good idea to me idk abt the rest of you

• I feel like Lilith was really forgotten in the season bcuz of Alina having Shad’s relic and all that jazz. • Garroth was REALLY forgotten. im pretty sure he was neglected the first few episodes and then they chucked him with Hyria to have a really long tea party

• BUT at least we got some Ro’meave angst with Garroth and Zane yelling at each other. wish we got more of it tho it will never be enough

• ZANE IS SUPPOSED TO BE SMART. We can see that so many times in his concept. He’s meant to smart and cunning and calculating and manipulative how could he be that way if he was dumb. STOP WRITING DUMB DECISIONS FOR HIM. I hate how they made Emmalyn keep the fragment someone like Zane would never let anyone else keep something of *zane voice* POWER so why does she have it here. Zane wouldve logically kept it with him. I get that he could be overconfident enough to sleep while Emmalyn was free but no way he’s letting her keep the fragment. The script keeps making him do stupid things whyyy

• Aphmau being a shit friend again. When Lucinda arrives back at the Alliance Island and Malachi tells Aph about all the shit Zane did she’s just like BUT I need to find out about Irene. EXCUSE ME those books aren’t going anywhere but your friends sure are. Even Malachi says “you’re going? What about all the stuff that’s going on at home?” or something like that. YA CUZ WHY WOULD YOU LEAVE KENMUR IS DEAD AND DANTE IS GRIEVING.

• Wow why does Aph sound so surprised when Lucinda suggests making wanted posters you should’ve done it a long time ago

• The way canon mcd was left off was not great in my opinion and in some cases it’s downright awful. Emmalyn is stuck at the werewolf castle and they now know about Aphmau. Zane is powerless and useless, both of which so no favors for his already lacking character so idk what they could’ve done for him anyway. There’s so many inconsistencies throughout mcd regarding the way he was written. Aph wants to go tu Tu’La courtesy of a glowing book. Yay. im pretty sure Garroth is STILL with Hyria. travlyn is just chillin

• Basically pls give characters some better development and opportunities thanks and stop making Zane do dumb things he’s suffering from his lack of character development anyway

[i-did]

hi hello i couldn't sleep last night so i was scrolling thru all ur asks and stuff and ur opinions and analyses are so interesting!!! and then afterwards i was thinking about what u were saying about mlm smut and i'd also been thinking about such things a little bit recently bc like.....at a certain point it becomes quite clear that the vast majority of smut-writing is just imitation. like there's the sex noise verb list and all and the whole general mechanics of the sex and those things just .... replicate over and over. and the whole thing w people writing mlm vs wlw smut regardless of their own sexual orientation..... like i feel like a big part of that is just a self-perpetuating thing. like if u have not had sex and u r getting all ur (pleasure-related) sex ed from fandom (even if u do watch porn, that doesn't rlly tell u how to describe stuff? idk) regardless of What fandom , the majority is going to be mlm smut. which is itself majority imitation of other mlm smut, imitating and imitating back to whoever knows what the first smut fanfic was etc. there's just way More to mimic than there is on the women side of things. which then becomes a self-perpetuating thing, bc the mimicry continues and generates more and more. and---if there are fundamental misunderstandings of anatomy involved---those self-perpetuate as well. and maybe even exaggerate. and yeah. does this all make sense? idk i was just thinking about it. like all the stereotypes and stuff continue bc writers are getting their inspo from other writers rather than their own brains. or something. idk!!!!! it's just all... divorced from reality? bc words. or something!! i hope u get what i'm trying to say. just thoughts i've been thinking. anyway i think ur thoughts are cool. and ur writing. ok bye have a good day!!

Okay yeah this is kinda messy but hope u see this, uhh yeah I think you're right about the echo chamber effect fr about stuff. I think it's a mix of projecting too sometimes. talk more under the cut and also link to a video essay since I love video essays.

Here’s a video that sort of touches on this topic: 

“Gay fanfiction” by Sarah Z. (has CC)

https://www.youtube.com/watch?v=H8E_C00dKwI

This video begins to talk about fetishization at the end, but also… not really. The words “gay fanfiction” is used as a catchall, when really gay fanfiction is largely mlm written by non-mlm.

Fandom is a largely women's space dominated by the female gaze in a media industry world that is dominated by men and the male gaze. I'm really glad women have this space to explore creativity and queerness, and I don't expect the female gaze to go away, but I am still ultimately bummed out I can’t read most fanfic or interact with most fandom spaces without having fetishization in my face. 

So about 80% of fandom is women, and most of those women aren't straight, but 90% of those women prefer mlm ships. Why don’t they prefer wlw ships? Well definitely part of it is the fact that queerbaiting is centered around white straight men, and then there is also the fact that women tend not to be written as well charcter wise. But the fact still remains that you get jerjean getting priority over Layla and Alvarez who are in canon just as much and are a canon wlw couple who actually interact as well as Alvarez could likely be a woc because of her Hispanic last name. Korasami doesn’t get nearly as much hype as zuko and saka, despite the fact that they are 2 fully dimensional characters who canonly kiss and hold hands, something the creators fought for and ended up having to sacrifice another reboot for. 

I do believe the fandom echo-chamber is largely responsible for… a lot of things, like you're saying. But what's interesting is that the complaints I've heard about visual porn from non mlm in the fandom space is that they can’t get off to it because its for the male gaze and misogynistic usually. But they also don't seem to notice how the mlm smut circles has the female gaze and is also… almost always mlm. If it was a pure anatomical not knowing thing, I get that, but I also think that leads to the question of “then why the male body for porn, and not your own? The one you know and are familiar with?” 

I know some people want to get outside of their own body for porn and don’t want to think of their own anatomy at all, but overall I'm still uncomfortable. If an anglo said “well I watch porn of only Mexicans so I don't self insert” I'm gonna be like … hhhh in a similar way. I understand people “like what they like” but I wish they also noticed said patterns in the first place. I understand the t4t tumblr porn circle, and how it's different from cis people who only watch trans porn. 

I actually wished that instead of fandom focusing on mlm ships where some asshole guy hits on bottom troupe charcter for top troupe character to save, was instead… a wlw character experiencing said shitty getting hit on and other wlw swooping in. what's interesting is fandom writes a lot about misogynistic experiences without often realizing it. Ive read fanfic where guys get called sluts for sleeping with people or called bitch for speaking their mind, these arent things men usually experience, but rather women. Fandom has a lot of internalized misogyny and also queerphobia imo. Women characters often get pushed to the sidelines and men become the canvas for female fans to project onto. 

There is this natural inclination to mlm. When people are talking about “gay shipping” or “gay books” or “gay feels” or even just “gay” mlm is what’s largely in mind. I honestly am kinda saddened by this because if gay fanfiction was really solely about writing more to feel represented, then you would see a lot of bi and ace and lesbian rep, but this isn't the case. Queer women are seriously underrepresented, and I want to hear their stories and read them in fanfiction as well as published. 50% of lgbt literature is mlm, and of that its largely written by women. Becky Albertalli, Rainbow Rowell, Maggie Stiefvater, are the YA big names and are all women writing mlm. Red white and royal blue is written by Casey McQuiston and Captive prince (which is not YA) is written by C. S. Pacat, who is non-binary, but is also TME and not mlm. These are all the big names in mlm lit, behind them is some gay men, but honestly their stories aren't preferred, they're not the right “flavor” for the consumers usually, who are largely women. In general YA consumers and authors are women, but I wish that they… just wrote about women too. I think there is a certain… snowball effect to the overrepresentation of mlm representing the whole LGBT community that leads to fetishization, as well as misogyny playing a factor in: less women characters being written well to write fanfic on, when they are written well they're taken less seriously or the audience struggles to relate to them, they're less marketable then men. 

Idk I never feel “seen” or “represented” by any of the books above, which don't address boyhood and manhood and queerness intersecting really, and AFTG doesn’t either. I relate to AFTG as a trauma victim who has experienced a lot of what many of the characters go through and have gone through in the EC as well as them just overall being very well written characters, but I don't relate to it as a mlm really. I've never seen like.. gay voice or being straight passing or femphobia or how boyhood can be affected from a young age by those around you sensing you're ‘other’ or if you didn't experience this you feel outside the mlm community. Let alone sub cultures like bear and leather and pup, at most you see the word “he's such a twink” in fandom which... i fr hate non mlm using that word because it's usually used to replace the f-slur essentially, used derogatorily or to call him “such a bottom” and stuff like that. It’s like a joke or an insult.

Long story short, idk mang this was a ramble and I think I'm coning down with something. I wanna see more queer women rep and women authors writing about being a queer woman too. I think it's a complex web of fetishization and a bit of forbidden love yaoi culture (or it used to be in the BOYXBOY days) as well as misogyny on an industry level, creator level, as well as reader/consumer and fandom level. I don’t think it’s inherently wrong to explore other peoples stories and what we read has to be segregated, “only mlm are allowed to read and write mlm, only wlw are allowed to read and write wlw,” but I also think author’s intent and audience and background is telling, as well as overall statistics. Like about an hour ago I was looking for cookbooks in spanish or in english, and I was looking for some mexican food cook books, but I had to look for them using words in spanish because otherwise what came up was a bunch of “fiesta party, easy as uno dos tres authentic cooking!” and I was like… hm. Since I could tell they were marketing to anglos. (also the author’s last names were like michelle smith, james cooper, and this could be for a variety of reasons, but I trust Hispanic names more tbh and deadass would look at the authors pictures and if they had other books in Spanish or what their specialties were.)

anyways. not sure how to end this. uhm if anyone has any book recs (my to read list is like 500 books tho no joke) preferably not YA white mlm written by a white lady, hopefully queer women written by queer woman, LMK, I need more wlw and queer women stories on my list. I have a decent amount but always looking for more. I kinda wanna link my goodreads or my storygraph but I also don't want to get doxxed and it has my legal name on it so.

Also, I'm dyslexic and using spell check but if there's like some wild typos my b.

[ranboocore-moved]

Confrontation. Explanation and Analysis

to preface this, this essay was largely written within the @dsmpanalysis​ mod discord after some fellow mods voiced confusion surrounding Ranboo’s lore stream today (1/16/2021). it’s been tweaked to make more sense as a tumblr post and not a response to a collection of messages. If you were confused about Ranboo’s lore stream today, I’m going to explain it largely as I understood it. To summarize the stream to its core -- Ranboo confronts the Dream inside the panic room about his lost memories, and finds out that Ranboo himself has Cat. During the Festival/Doomsday Event, it was hinted at that Dream was really just a figment of Ranboo’s imagination -- he wasn’t real. Some people thought this could mean that Ranboo was possessed or that Dream had supernatural powers to manipulate him through his thoughts, among a few other similar things, while other’s figured that it really was just Ranboo’s figment of his imagination. It was just a psychological reaction to the stress and trauma he went through. It was heavily confirmed that that was the case today. Given that Ranboo is super active in fan spaces and likes to take notes, he probably noticed a lot of theories regarding this being a supernatural external thing, and hammered down on the concept that “Dream” was just a “manifestation of his catastrophizing” and anxiety. It was almost a little excessive, but this is improv and there was a point that needed to be made. Memory Ghost Dream also reveals to Ranboo that he has Cat (the disc). If you’re confused on how Ranboo got Cat, it’s honestly kind of subtle if you weren’t listening because it’s only given away in one sentence. Dream encourages and pokes at Ranboo to think harder, try to remember what he did after he crossed a nether portal. Ranboo begins to remember that he spoke to Dream (the real one) and that Dream told him to protect something. Ranboo CANNOT place it, so Memory Ghost Dream nudges him a little further by saying “You got it from Skeppy.” This is the only mention of how Ranboo obtained the disc. Dream didn’t give him the disc, Skeppy did. Dream, however, did KNOW about Ranboo having the disc and urged him to protect it and keep it safe. ”Wouldn’t we have seen Skeppy give Ranboo the disc?” No! It’s clear that this is an integral part of the plot and it was an event purposely kept hidden to maintain an element of surprise. It was a scripted interaction that didn’t need to be shown -- only implied. This essentially sums up my explanation -- however it doesn’t quite suffice as a summary. Honestly, I highly recommend everyone watch it as it is a short stream and is comprised of all lore. The whole stream is a lore stream, and also it’s extremely evident that Ranboo put a lot of work into the stream and its events. To further convince you, someone donated during the second stream today saying “I was crying by the end of the stream.” to which Ranboo says, “Don’t worry, I was too.” He clarified that he was totally okay -- he just gets really into character. So, like, if you’re not convinced then IDK.

Analysis Below The Cut (because this post is already pretty long)

The narrative implications surrounding a state of Ranboo aligning himself with Dream and harboring Mellohi setup a scenario which breaks up the monotony the SMP has filled itself up with regarding the discs. I’ve seen a lot of people voice how they are tired or unsatisfied with the discs persisting to be key plot points within the narrative, which is honestly a super valid opinion. The direction the Exile Arc and Festival/Doomsday Event felt... really tired, and just a poorly conducted rehashed version of the Festival prior. There were a lot of recycled concepts and it felt like the writers trying to grasp at what Wilbur had created before by chance. 

However, with the story that Ranboo is writing -- he’s utilizing the discs in a different way by throwing himself into the fray. It feels repetitive when the conflict surrounding the discs are “Tommy want disc. Dream have disc. Chaos.” or vice versa. However, by throwing Ranboo in-between the two of them, holding the disc, and being established as a character who is adamant he not take sides, he is effectively shaking up the conflict that has been rehashed 5 ways from Sunday. There’s still the conflict of Tommy wants the discs v.s Dream wanting the discs however it’s no longer the focal point of the story. The conflicts go from a stale and mostly two dimensional issue, to a more fleshed out morality crisis.

Tubbo and Ranboo are still friends in canon. They did a canon stream that wasn’t super lore heavy, and achieved what felt like mostly comic relief -- however the did reconcile what happened. They consider themselves to be friends with each other, or at least friendly. However, this raises the question:

How will Tommy react when he finds out that Ranboo has Cat? Where do the implications of one state of Ranboo being aligned with Dream and his desires lead?

While you still may not be convinced or tired of the plot devices being used, I would like to end on this note. If it were to end with Ranboo picking a side, more specifically Tommy’s, I would also be incredibly disappointed. I’d be a bit more joyful, though, if he were to side with Dream as it would still break up that monotony surrounding the discs. Dream only aligned himself with people during the beginning of the smp. However as the plot has literally thickened and became heavier and sturdier, Dream has solidified himself as someone to be alone -- therefore if Ranboo were to side with dream it would ultimately subvert our expectations. 

However, I’d still be a little bit disappointed if he did pick a side, because the core theme of his character in this arc has been to not pick side and is sturdy in the belief that choosing sides would always end up in disaster, no matter what. So, I’d either want him to keep the same theme up throughout the Arc, or Ranboo to have to grow as a character into a different perspective and understanding that sometimes sides have to be taken and ultimately picked upon by the greater good. It would be up to him to decide said greater good and what constitutes great or good, which is a whole other development of character and plot on its own. Anyways, I just think that if you’re being overtly critical of the story that Ranboo is writing, maybe you should look at it from a different perspective.

[theoriginalcarnivorousmuffin]

Why do you think Tomarry would work? I see a lot of people hating on it and the only response I ever see is that they come from similar backgrounds or people just like enemies to lovers. Also which horcrux do you think Harry would go best with (including Voldemort)

So, this is probably a more complicated question than you intended, but that’s because I live in bizarre head canon lands that few ever dare venture towards.

With that, let’s get started.

But What Do You Really Ship, Muffin?

First, it probably bears saying that I’m not really a Tomarry shipper. I know, I’ve written more than one Tomarry story, so if that’s not Tomarry what is? Well, remember that those Tomarry pairing tags are a filthy lie. October I committed the grievous sin of breaking up the Tomarry and throwing Tom at Harry’s mother. Lily and the Art of Being Sisyphus is barely a Harry Potter fic in any capacity, and while the ship is the driving force of the fic, it’s also this nebulous, distant, thing that really shows up only in strange side stories where I try to make people laugh. When Harry Met Tom is probably the closest that I take seriously, but I also intentionally subvert all your typical Tomarry tropes for my own enjoyment. 

The only Tomarry story I’d say I’ve ever actually written is “The Burning Taste of Fire Whisky”. It’s a very popular story, sadly perhaps my most popular on Ao3, but I actually loathe it entirely. 

A lot of the time I feel like I just happen to have a Tomarry shirt on and then I suddenly became a subject matter expert. If you want the Tomarry opinions from real Tomarry people, I’m probably not the best person to ask. In fact, if you want really any standard answer about Harry Potter anything, I’m not the best person to ask.

Now, I’m not just saying this to be a hipster but to sort of give some background for why I’m going to give the answer I’m going to give and why it’s going to be 100% different from everyone else’s and yes, sometimes, I do think I came from Mars.

Will the Real Tomarry Please Stand Up?

So with that, the bottom line is: taking canon as JKR intended, completely at face value, Tomarry doesn’t work at all. This is because JKR fully intends a very flat, one-dimensional, and frankly quite boring Tom Riddle. Tom Riddle’s evil, Tom Riddle was born evil, Tom Riddle was evil in the womb because of rape. He is completely and utterly irredeemable and understands nothing of love.

Well, that sort of sinks the ship right out of the harbor, doesn’t it? A Tom Riddle incapable of love is one incapable of growth, especially in a romantic focused story. If you try to write it you just get weird sociopathic whump porn where Tom probably whips Harry in a closet somewhere.

Added onto this we get that, despite what she put down on paper, Harry is supposed to be a straight man. That aside, he’s also a righteous man whose understanding of things like love and friendship mean he’d never sully himself with gross Tom Riddle. Ew, what are you people thinking?

Well, what if we take canon just mostly as JKR intended? What if we just look at the characters the way she actually wrote them versus what she was trying to do? Still no dice.

Tom might now be capable of love, be a far more engaging character who can go somewhere, and be pulled out of a pit of rage and despair by someone but that someone ain’t Harry.

First, while I firmly believe Harry is gay (gay, not bisexual, compare his descriptions of Cho/Ginny to Tom Riddle/Sirius Balck/Cedric Diggory/Charlie Weasley, that boy pants after Tom Riddle and Cho’s kiss is “wet”) he’s also a much worse person and much dumber character than JKR intended. It’s really the first that damns the pairing.

I have a whole giant post on how Harry’s a little yikes but the long and short of it is that while Harry thinks he understands friendship and love he’s also someone who will cut out his friends at a moment’s notice if he feels remotely slighted, uses and sacrifices them for his own ends, gleefully uses unforgiveable curses when given the opportunity, and is the kind of guy who would cut someone up in the bathroom, leave them to bleed to death, and only really feel bad about it when it seems he might get in trouble for it.

This Harry ending up even with a Tom who could potentially be redeemed would more likely lead to, well, weird psychopathic whump porn where Harry tortures Tom in his basement to make him pay for all the horrible things he’s done while Harry claims he’s the most moral person ever because his mother loved him.

So, yeah, no Tomarry for you.

But Wait, Didn’t You Say You Believed in Tomarry?

What I believe in are archetypes.

Remove what Harry’s supposed to be, remove what I think he actually is (one maladjusted, violent, dude with a whole lot of anger issues), let’s make Harry what perhaps JKR didn’t even know she wanted: one of those rare fundamentally good heroes who warps an entire story with the strength of their inner nobility.

Harry Potter is meant to be a story about love and friendship. Now, it’s not actually, and we sort of end with Harry being Jesus and none of us are sure why. Except that he apparently forgives Dumbledore and Snape for brainwashing him to be a kamikaze agent. They’re the bravest men he knows. But let’s pretend it actually is a story about love and friendship.

To me, the strongest story of love we could possibly have had in this world is the redemption of Tom Riddle. Here is a man who was supposed to have been irredeemable since birth, he has done many horrific and unforgiveable things, grew up in extreme hardship in a society that spits on everything he ever was, and is mired in bitterness, despair, and rage. Beneath all that, Tom Riddle has given up hope in the world and is now content to burn it down himself.

Harry, through the nobility of his spirit and integrity of his character, somehow managing to redeem Tom Riddle is not only a fascinating story but a very good one at its core. The fact that they are tied together by destiny as well as tragedy, that Harry houses a shard of Tom’s soul (and I do so love horcruxes), only makes it more so.

This is the kind of story that carries epics, and that is why I gravitate towards it.

Now, do I change Harry up to do so? Good god, yes. I wouldn’t say any Harry Potter I have written is anything close to the Harry we know from canon. Some are closer than others, but they always in some way deviate. That said, from what I’ve seen almost nobody writes the actual Harry we remember from canon, so this is a very standard practice I can get away with, without too many people calling foul.

Ultimately ending in tragedy or in the full redemption of Tom: either works with these base characterizations and the world is your oyster.

What About All Those Other Arguments?

I’m not going to get into this too much except that I wouldn’t argue Tomarry works for the reasons you list. At all.

On the similar backgrounds, the fact is Harry and Tom don’t have similar backgrounds, JKR just says they do because she likes that trope (and so do many of the readers).

Harry and Tom have dark hair, they both came from abusive homes, but that’s where the similarities start and end. Upon entering the wizarding world Harry is treated very very very differently from Tom Riddle.

Harry, grows up in this weird sort of pseudo poverty where he dresses in rags because the Dursley’s hate him but he never actually has to worry about money. When he gets to the wizarding world he can afford everything he wants. He can buy a new wand, he can buy new supplies, he can buy all the candy off the trolly cart. Money’s not an object to Harry, is barely even a concept.

Tom Riddle is presumably on scholarship and money is everything to him. He buys a new wand but likely all his clothes and books are second hand. He can’t buy whatever candy he wants, probably can’t afford gifts for his peers, Tom is very aware of the haves and have nots.

Harry similarly never has to worry about a career. He never gets that far, fearing for his life so much, but the fact is that Harry has enough money that he doesn’t actually need to work. More, who would turn down the great Harry Potter? He wants to be an auror, is afraid he might not qualify, but it’s not really desperate.

Tom Riddle is to the world an impoverished muggle born. He tries for the Defense position and is turned down mostly because Dumbledore threw shade. Dumbledore tries to make it seem like Tom desperately wanted to work in this weird shop in London’s magical back alley, but probably that was the only position Tom could get (everything Dumbledore ever says, especially in those pensieve lessons, must be taken with a large grain of salt). Everything else goes to friends, family, and purebloods.

Adding to this, Harry has this glowing reputation. Now, Harry might not like it, he might want to be just Harry but the fact is that everyone has heard of him and most people worship the ground he walks on. Doors are open to him everywhere. His first introduction to the wizarding world is from a man who loves him and gushes about Harry as a baby.

Tom Riddle is someone with a muggle last name, who comes from a muggle orphanage, in other words he is nobody from nowhere. (For reasons I won’t get into here I find it very doubtful Tom ever revealed he was the heir of Slytherin until he became Voldemort and let Tom Riddle fade into obscurity). His first introduction to the wizarding world is some asshole lighting all his stuff on fire because the matron talked shit about him.

Harry wants to stay at Hogwarts because the Dursleys are abusive. Yes, this is terrible, but Tom wants to stay because Nazis are bombing London and Dippet says, “So sorry, Tom, no exceptions. Enjoy those luffas!” Harry’s concerns are never treated with the same disdain.

To make a long story short, they do not have similar backgrounds, at all. To say they do is utterly laughable and not much better than saying “they both have dark hair, they have so much in common!”

They both came from abusive homes, yes, but even the nature of those homes were very different and when they went to Hogwarts they were worlds apart.

... So much for not getting into it, eh?

As for Enemies to Lovers, well, it’s a trope and people enjoy it but it’s not my jam. I could go into why, but I think I’ve said enough.

Which Horcrux Do You Think Harry Would Go Best With?

We see so little of the individual horcruxes I’m not sure I can really take a stab at this. I sort of just make up their personalities as it suits me every time I write them.

With that I suppose I’m partial to the one in Harry’s head? Given that he has a front row seat to Harry, has seen Voldemort’s tragic demise, I think he’s in the best position to end up with Harry in a meaningful manner.

Especially as, if you think about it, he could represent the very last of Tom Riddle’s humanity. The single shard of humanity that remained in him until the bitter end.